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Discover

ferme02

French farming

by Arnaud De Grave

Shanghai in Winter VIII (上海冬天)

Shanghai in Winter

by Barthélémy Longueville

Bakong Buddhist Monastery

Orange

by Arnaud Rivière

morshihinskaya

Morshihinskaya

by Denis Uzdyaev

murat

Lonel(i)ness

by Murat Harmanlýklý

Angkor Wat

Orange

by Arnaud Rivière

Nomoide

Nipponikong

by Brian Peterson

Clouds

Where do we go, what do we see - 2011

by Arnaud Thurel

Lost place 2.1

lost places, lost images - 2010

by Arnaud Thurel

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Get Photo Analogies #5 !

Building on the success of our previous issues we are back with a new one: Photo Analogies #5!

Still dedicated to film photography, still trilingual French/English and more, this issue proposed by the BOP collective, combines photo-reports, conceptual work and technical articles. The printing is as usual done by professionals, in four-colour process and we are still totally free of advertising.

BOP_PA5

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Products

  • Photo Analogies #5 (Magazine) €10.00
  • Photo Analogies #4 Photo Analogies #4 (Magazine) €10.00

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BOP Members

  • Arnaud De Grave
  • Barthelemy Longueville
  • Arnaud Thurel
  • Jean-François Boujut
  • Chris Huby
  • Jon

About Bop

BOP name originated in French, it could be translated as: “wave and particle craft”.
BOP is an association whose goal is to promote film photography. It offers each member virtual space for their online portfolio and also aims at organizing collective paper exhibitions and publishing booklets. All BOP members are passionate photographers who aim at achieving high standards for each picture together with artistic coherency in their exhibitions.
  • https://www.bop-photolab.org

About BOP

BOP is an association with a goal of promoting different aspects of film photography. This means that only film has been used to produce the pictures you will see in these pages. We won’t get into the (often heated but mostly sterile) debate on whether film is better or worse than digital. We just don’t do digital, or at least not within the BOP framework. This is a bit biased in the sense that of course we scan our negatives, slides or prints to be able to show them here. But the shooting and the approach is totally analogue.

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