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murat

Lonel(i)ness

by Murat Harmanlýklý

Someone is watching you

Strolling

by Arnaud Rivière

fernando02

Seen This?

by Fernando Escora

On the way to Kashgar

Communication

by Arnaud Rivière

rb76_kodak07

Zulu: chasing dancing ghost ...

by Arnaud De Grave

Ombre noire

Voyage en Crète

by Jean-François Boujut

karosta10-scala

LabiChampi in Karosta, Latvia

by Arnaud De Grave

Child games

Strolling

by Arnaud Rivière

saigon01

Saïgon

by Jean-François Boujut

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Get Photo Analogies #5 !

Building on the success of our previous issues we are back with a new one: Photo Analogies #5!

Still dedicated to film photography, still trilingual French/English and more, this issue proposed by the BOP collective, combines photo-reports, conceptual work and technical articles. The printing is as usual done by professionals, in four-colour process and we are still totally free of advertising.

BOP_PA5

€10.00Add to cart

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Products

  • Photo Analogies #5 (Magazine) €10.00
  • Photo Analogies #4 Photo Analogies #4 (Magazine) €10.00

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BOP Members

  • Arnaud De Grave
  • Barthelemy Longueville
  • Arnaud Thurel
  • Jean-François Boujut
  • Chris Huby
  • Jon

About Bop

BOP name originated in French, it could be translated as: “wave and particle craft”.
BOP is an association whose goal is to promote film photography. It offers each member virtual space for their online portfolio and also aims at organizing collective paper exhibitions and publishing booklets. All BOP members are passionate photographers who aim at achieving high standards for each picture together with artistic coherency in their exhibitions.
  • https://www.bop-photolab.org

About BOP

BOP is an association with a goal of promoting different aspects of film photography. This means that only film has been used to produce the pictures you will see in these pages. We won’t get into the (often heated but mostly sterile) debate on whether film is better or worse than digital. We just don’t do digital, or at least not within the BOP framework. This is a bit biased in the sense that of course we scan our negatives, slides or prints to be able to show them here. But the shooting and the approach is totally analogue.

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